It is time to accept this as reality: The writer’s world now belongs to the web. Whether this is represented by a market now ruled by e-books or even the physical books being bought on Amazon’s website, or by the prevalence of e-zines and other outlets for creative expression, or even by the increasing virtual experience of human culture as a whole, a writer’s portfolio needs to have an online version.
Crafting a quality portfolio has always been challenging, but crucial. An author must be able to present himself or herself as being efficient, professional, and effective, no matter what genre or type of writing is being represented. In this age of instant communication and .pdf documents, the question of why a writer’s portfolio needs to have an online version is critical for a few important reasons.
Having a portfolio be as available as possible to as many potential contractors/publishers as possible has never been as incredibly important before, since writers now deal with a literal world of competition, able to submit their works from any corner of the globe. One of the reasons why a writer’s portfolio needs to have an online version is simply to have the quickest edge in the game of providing people and organizations with the best, most comprehensive look possible with the least wait possible.
Just as pen-and-paper writers would have had some initial trouble transferring their works to digital versions, so too will verbal expressionists continue to encounter significant challenges if they fail to keep up with trends in communications. A writer’s portfolio needs an online version because, until “the next big thing” hits the scene, that is the optimal way to share information.
Despite the thoroughness of resume and the data available on websites and from former employers, job interviews still remain an integral part of the workplace because often the interview itself provides a more valuable insight as to the worker’s quality than any simple record ever could. In a very similar fashion, forming an online version of a portfolio represents a first look at its creator’s capacity to put together compelling pieces for reader consumption. In a way, that digital portfolio is a microcosm representation of the works in their portfolio altogether.
Though countless likely still wonder why a writer’s portfolio needs to have an online version, they will be sorely lacking an important foothold in a competitive writing marketplace if they fail to keep up with the technological and cultural advances that allow for such awesome forces as the internet and mobile devices to be best harnessed. An online version of a portfolio is a tool, like any other, and one that many should find very useful in their arsenal.